• Intro
    • Company History
    • Mission and Artistic Policy
    • People
    • Vacancies
    • CURRENT PRODUCTIONS
    • Theatre Cafe Festival 2010
    • Apples
    • Blowing
    • PAST PRODUCTIONS
    • Hannah and Hannah
    • Club Asylum
    • Crime and Punishment in Dalston
    • Fathers and Eggs & The Wild Girl
    • Young Europe
    • Sweetpeter
    • Theatre Cafe
    • Virgins
    • RISK
    • Theatre Cafe Europe
    • Truckstop
    • Theatre Cafe Sweden
    • Theatre Cafe Festival 2008
    • This Child
    • Invasion!
    • Sense
    • CURRENT PROJECTS
    • Young Angels Theatremakers 2009
    • Young Angels - New European Writing
    • Choreography for Children Award
    • Young Angels Theatremakers 2010
    • PAST PROJECTS
    • Asylum Seeker Narratives
    • Gap Theatre Project
    • Project R
    • Swedish Readings
    • Young Angels Theatremakers 2007
    • Young Angels - new writing for children
    • Young Angels - Directors, Designers and Writers
    • Young Angels Theatremakers 2008
    • Norwegian Play Readings
    • Gap Theatre Project: Story Museum
    • Gap Theatre Project: 25 Farewells
    • Gap Theatre Project: You Zoo
    • Young Directors Programme
    • The Birds Stopped Singing
    • Young Angels - New Writing: Children in Wartime
    • Gap Theatre Project: Talk to Me, Talk to You
    • Books
    • Press Hannah & Hanna
    • Press Young Europe
    • Press Virgins
    • Press Club Asylum
    • Press RISK
    • Press Truckstop
    • Press Crime & Punishment in Dalston
    • Press Theatre Cafe Festival 2008
    • Press Invasion
    • Press Apples
    • Associates Biographies
    • Map and Directions
 RISK

“It’s a tremendous show, not only because it talks so openly to its target audience about this difficult rites of passage, but also because it’s staged with such flair. Andy Howitt’s hip hop influenced choreography and Kai Fischer’s lighting bring a real rigor to Retallack’s vivid and vibrant script.”
The List

"It's the dramatic ambiguity and the emotional honesty that give the play its head and heart. More than that, it's staged with considerable polish on a bare stage on which the five actors perform Andy Howitt's punchy choreography, influenced by hip hop and world styles, in and around Retallack's fragmentary script."
Hi-Arts