• Intro
    • Company History
    • Mission and Artistic Policy
    • People
    • Vacancies
    • CURRENT PRODUCTIONS
    • Theatre Cafe Festival 2010
    • Apples
    • PAST PRODUCTIONS
    • Hannah and Hannah
    • Club Asylum
    • Crime and Punishment in Dalston
    • Fathers and Eggs & The Wild Girl
    • Young Europe
    • Sweetpeter
    • Theatre Cafe
    • Virgins
    • RISK
    • Theatre Cafe Europe
    • Truckstop
    • Theatre Cafe Sweden
    • Theatre Cafe Festival 2008
    • This Child
    • Invasion!
    • Sense
    • CURRENT PROJECTS
    • Young Angels Theatremakers 2009
    • Young Angels - New European Writing
    • Choreography for Children
    • PAST PROJECTS
    • Asylum Seeker Narratives
    • Gap Theatre Project
    • Project R
    • Swedish Readings
    • Young Angels Theatremakers 2007
    • Young Angels - new writing for children
    • Young Angels - Directors, Designers and Writers
    • Young Angels Theatremakers 2008
    • Norwegian Play Readings
    • Gap Theatre Project: Story Museum
    • Gap Theatre Project: 25 Farewells
    • Gap Theatre Project: You Zoo
    • Young Directors Programme
    • The Birds Stopped Singing
    • Young Angels - New Writing: Children in Wartime
    • Gap Theatre Project: Talk to Me, Talk to You
    • Press Hannah & Hanna
    • Press Young Europe
    • Press Virgins
    • Press Club Asylum
    • Press RISK
    • Press Truckstop
    • Press Crime & Punishment in Dalston
    • Press Theatre Cafe Festival 2008
    • Press Invasion
    • Associates Biographies
    • Map and Directions
INVASION!

"As the talented cast swap roles and realities, one idea remains constant: the non-existent central character of Abulkasem….Lucy Kerbel’s production is adroit at jumping from one scene to another…. It’s vivid, affecting, beautifully told specific rather than general."
The Times

"Khemiri is clearly making a linguistic and political point… in Frank Perry’s nifty translation."
The Guardian

"His (Khemiri’s) opening salvo first shocked then delighted many unsuspecting audience members. It is like no other play currently on view in London and as such will instantly either intrigue or repel depending upon your taste."
British Theatre Guide

"We start with a genuinely exciting stage invasion."
The London Paper

"The ‘invasion’ referred to is a slick, sharp acclaimed piece…. Lucy Kerbel’s ensemble production is well acted, while Khemiri’s facility with dialogue and the ease with which he plays with the politics of identity, suggests he has talent to burn."
Metro

"Invasion! opens with a brilliant coup. I was convinced I was watching unplanned intimidation here but the intruders are part of the show."
The Spectator