• Intro
    • Company History
    • Mission and Artistic Policy
    • People
    • Vacancies
    • CURRENT PRODUCTIONS
    • Theatre Cafe Festival 2010
    • Apples
    • PAST PRODUCTIONS
    • Hannah and Hannah
    • Club Asylum
    • Crime and Punishment in Dalston
    • Fathers and Eggs & The Wild Girl
    • Young Europe
    • Sweetpeter
    • Theatre Cafe
    • Virgins
    • RISK
    • Theatre Cafe Europe
    • Truckstop
    • Theatre Cafe Sweden
    • Theatre Cafe Festival 2008
    • This Child
    • Invasion!
    • Sense
    • CURRENT PROJECTS
    • Young Angels Theatremakers 2009
    • Young Angels - New European Writing
    • Choreography for Children
    • PAST PROJECTS
    • Asylum Seeker Narratives
    • Gap Theatre Project
    • Project R
    • Swedish Readings
    • Young Angels Theatremakers 2007
    • Young Angels - new writing for children
    • Young Angels - Directors, Designers and Writers
    • Young Angels Theatremakers 2008
    • Norwegian Play Readings
    • Gap Theatre Project: Story Museum
    • Gap Theatre Project: 25 Farewells
    • Gap Theatre Project: You Zoo
    • Young Directors Programme
    • The Birds Stopped Singing
    • Young Angels - New Writing: Children in Wartime
    • Gap Theatre Project: Talk to Me, Talk to You
    • Press Hannah & Hanna
    • Press Young Europe
    • Press Virgins
    • Press Club Asylum
    • Press RISK
    • Press Truckstop
    • Press Crime & Punishment in Dalston
    • Press Theatre Cafe Festival 2008
    • Press Invasion
    • Associates Biographies
    • Map and Directions
 HANNAH & HANNA

“One of the most passionate, life-affirming pieces of theatre I’ve seen in the last five years”
The Scotsman

“A little scorcher that gets right to the heart of community tensions. It is funny, sad and every time it comes within a whisker of sentimentality, veers off with headbutting toughness.” 
The Guardian


“Towards the End I was wrestling with a lump in my throat the size of a watermelon. You never feel, however, that your emotions are being exploited. I am despatching my two older children – aged 12 and 14 – to the theatre posthaste.”
The Independent

“There is no obvious message about asylum seekers. Retallack never judges his characters, but instead lets them do that for themselves.”
Evening Standard

“75 minutes of riveting performance.”
The Hindu