• Intro
    • Company History
    • Mission and Artistic Policy
    • People
    • Vacancies
    • PAST PRODUCTIONS
    • Hannah and Hannah
    • Club Asylum
    • Crime and Punishment in Dalston
    • Fathers and Eggs & The Wild Girl
    • Young Europe
    • Sweetpeter
    • Theatre Cafe
    • Virgins
    • RISK
    • Theatre Cafe Europe
    • Truckstop
    • Theatre Cafe Sweden
    • CURRENT PRODUCTIONS
    • Theatre Cafe Festival 2008
    • PAST PROJECTS
    • Asylum Seeker Narratives
    • Gap Theatre Project
    • Project R
    • Swedish Readings
    • Young Angels Theatremakers
    • Young Angels - new writing for children
    • Young Angels - Directors, Designers and Writers
    • Young Angels Theatremakers 2008
    • Young Directors Programme
    • CURRENT PROJECTS
    • Gap Kennet
    • Gap Teacher Training
    • Press Hannah & Hanna
    • Press Young Europe
    • Press Virgins
    • Press Club Asylum
    • Press RISK
    • Press Truckstop
    • Press Crime & Punishment in Dalston
    • Map and Directions

CRIME AND PUNISHMENT IN DALSTON

A co-production with Arcola Theatre
Supported by: London Arts and Arts Council England; sponsored
by BBC’s Network X 

Adapted and directed by: David Farr
based on the novel by: Fyodor Dostoyevsky
Dates: Arcola Theatre, London: 3 January to 2 February
 


A free contemporary reworking of Dostoevsky's great novel into a new
play for young people. The setting of the classic story has been transplanted to Dalston, tackling contemporary themes of race, ghettoisation and deprivation.

‘Every now and then we read in our newspapers about an old man or woman who has been callously murdered in their own home for no more than twenty or thirty pounds. We are appalled. We cannot understand
how someone could do such a thing for so little. This is about how someone can.’
David Farr


“This is a Crime and Punishment with attitude, street-cred and wisdom.” 
THE INDEPENDENT

 “You do not have to know your Dostoevsky [...] to admire the topical variation that David Farr has created.”
THE TIMES

To read David Farr's commentary on the play, please click here.